{"id":5556,"date":"2025-10-16T11:46:51","date_gmt":"2025-10-16T10:46:51","guid":{"rendered":"https:\/\/bacaci-sjenki.hr\/?p=5556"},"modified":"2025-10-16T12:06:18","modified_gmt":"2025-10-16T11:06:18","slug":"glasovi-zajednice-izmedu-bastine-i-filma-program-u-dakovu","status":"publish","type":"post","link":"https:\/\/bacaci-sjenki.hr\/en\/glasovi-zajednice-izmedu-bastine-i-filma-program-u-dakovu\/","title":{"rendered":"Voices of the Community: Between Heritage and Film (Program in \u0110akovo)"},"content":{"rendered":"

<\/p>\n

Shadow Casters<\/strong> are part of the collaborative project “Between Heritage and Film \u2013 Voices of the Community”<\/em>, which brings together five organizations from different regions \u2013 Teatar od soli<\/strong>, SU Rojc<\/strong>, Pula Film Factory<\/strong>, Association Arla<\/strong>, and Shadow Casters<\/strong> \u2013 from the island of Pa\u0161man and the cities of Biograd, Pula, \u0110akovo, and Zagreb.<\/p>\n

The project is based on exploring the relationship between space and film in shaping communities and encouraging creativity. The spaces we live in are not only physical \u2013 they carry stories, identities, and cultural practices. Film and media recordings document these processes, preserve them, and transform them into creative, collective expressions.<\/p>\n

Through a combination of heritage, contemporary art, and cross-sector collaboration, this project becomes a platform for dialogue and exchange. Participants have the opportunity to learn how to identify, document, and interpret elements of heritage in and around film \u2013 all with the aim of preserving cultural legacy for future generations.<\/p>\n

The program taking place in \u0110akovo<\/strong> begins on October 18<\/strong> and runs until October 20, 2025<\/strong>. Below is the schedule of events:<\/p>\n

October 18 (Saturday) \u2013 10:00 AM to 12:00 PM<\/strong><\/p>\n

Location:<\/strong> City Library and Reading Room
Boris Bakal: Different Voices of Film<\/strong><\/p>\n

Film is not only a dream machine \u2013 it is also an archive of collective memory. From the Lumi\u00e8re brothers and Promio, through Fassbinder\u2019s wounds in the city\u2019s fabric, to Loach\u2019s portraits of working-class communities \u2013 the camera sees more than the eye. It reveals cracks in facades, bricked-up passages, crime scenes, and the silent truths a community keeps.<\/p>\n

This lecture does not see the audience as passive viewers, but as co-authors of a lecture-performance. Film and photography become tools of participation \u2013 to discover, record, and recognize our own heritage together. The different voices of the community become different voices of film: what do spaces tell us when we view them through cinematic eyes? How does film preserve, expose, and invent histories, identities, and everyday life, creating a space for diverse community voices?<\/p>\n

October 19 (Sunday) \u2013 3:30 PM to 4:00 PM<\/strong><\/p>\n

Location:<\/strong> Reichsmann House
Exhibition<\/strong><\/p>\n

The exhibition is organized and presented by the Teatar od soli<\/strong> association. It is a documentary-artistic format that each viewer defines and interprets on their own. Created as part of the Invisible Pa\u0161man<\/em> project, the exhibition offers an intimate look at wells \u2013 silent guardians of fields and life \u2013 through a lens that combines documentation and poetic expression by photographer Jan Zalovi\u0107<\/strong>.<\/p>\n

October 19 (Sunday) \u2013 4:00 PM to 5:30 PM<\/strong><\/p>\n

Location:<\/strong> Reichsmann House
Boris Bakal: Film and Manipulation \u2013 Banned Films<\/strong><\/p>\n

Film has always been both magic and a weapon. What seduces us with light on the screen often hides darker intentions: ideological, religious, political, or purely greedy. From Cold War “children\u2019s fairytales” and obscure soft-porn classics filmed on the Adriatic, to the brutal masterpieces of Pasolini<\/strong>, Makavejev<\/strong>, Vreven<\/strong>, and Stojanovi\u0107<\/strong>, the history of film is filled with bans, silences, fabrications, and manipulations.<\/p>\n

This talk explores fragments of films that subtly manipulate the truth, as well as those that were suppressed, removed, shelved, or distorted \u2013 not because they were bad, but because they were dangerous. Dangerous to regimes, religions, markets, or the status quo.<\/p>\n

Film and Manipulation \u2013 Banned Films<\/em> examines the mechanisms of power that decide what we are allowed to see and what remains locked away in archives. Beneath the layers of censorship, we discover how film can be a mirror, a lure, and the most sophisticated persuasion machine.<\/p>\n

Teaser:<\/strong> “Art is the only proof that dreams exist \u2013 and film is the most beautiful lie. Come find out why some dreams had to be banned.”<\/em><\/p>\n

October 19 (Sunday) \u2013 5:45 PM<\/strong><\/p>\n

Location:<\/strong> Reichsmann House
Free Film Screening: \u201cThe Peacemaker\u201d<\/strong><\/p>\n

October 20 (Monday)<\/strong><\/p>\n

Location:<\/strong> Vladimir Nazor Elementary School, \u0110akovo
Interactive Lecture for 7th and 8th Grade Students and Their Teachers:
\u201cBETWEEN HERITAGE AND FILM\u201d<\/strong><\/p>\n

\"\"<\/a><\/p>\n

<\/p>","protected":false},"excerpt":{"rendered":"

Shadow Casters are part of the collaborative project “Between Heritage and Film \u2013 Voices of the Community”, which brings together five organizations from different regions \u2013 Teatar od soli, SU Rojc, Pula Film Factory, Association Arla, and Shadow Casters \u2013 from the island of Pa\u0161man and the cities of Biograd, Pula, \u0110akovo, and Zagreb. The […]<\/p>\n","protected":false},"author":2,"featured_media":5557,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[11],"tags":[],"acf":[],"jetpack_featured_media_url":"https:\/\/bacaci-sjenki.hr\/wp-content\/uploads\/2025\/10\/images.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8cCmC-1rC","_links":{"self":[{"href":"https:\/\/bacaci-sjenki.hr\/en\/wp-json\/wp\/v2\/posts\/5556"}],"collection":[{"href":"https:\/\/bacaci-sjenki.hr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bacaci-sjenki.hr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bacaci-sjenki.hr\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/bacaci-sjenki.hr\/en\/wp-json\/wp\/v2\/comments?post=5556"}],"version-history":[{"count":3,"href":"https:\/\/bacaci-sjenki.hr\/en\/wp-json\/wp\/v2\/posts\/5556\/revisions"}],"predecessor-version":[{"id":5561,"href":"https:\/\/bacaci-sjenki.hr\/en\/wp-json\/wp\/v2\/posts\/5556\/revisions\/5561"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bacaci-sjenki.hr\/en\/wp-json\/wp\/v2\/media\/5557"}],"wp:attachment":[{"href":"https:\/\/bacaci-sjenki.hr\/en\/wp-json\/wp\/v2\/media?parent=5556"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bacaci-sjenki.hr\/en\/wp-json\/wp\/v2\/categories?post=5556"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bacaci-sjenki.hr\/en\/wp-json\/wp\/v2\/tags?post=5556"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}